If you’re the right age then you definitely remember Crocodracula, the terrifying soap opera for kids from the early nineties. If you’re too old, or too young, or your parents (wisely???) prevented you from watching, the show was a lot like Land of the Lost, but in a kind of modern gothic horror mode instead of cavemen and dinosaurs. I’ve also heard it described as “Dark Shadows for tweens” but I don’t know how accurate that assessment is.
HOWEVER, even nineties kids don’t necessarily remember that there was at least one Crocodracula computer game, released by Taleframe in 1991. I say “at least one” because the title, “Crocodracula: What Happened to Calvin,” makes it sound like they were at least planning to release other games, possibly based on other episodes/story arcs from the show. It’s hard to tell. Crocodracula information is really hard to come by for some reason.
The point is, I now have a copy of this game.
On the latest episode of Clash of the Type-Ins, we played my game The Island of Doctor Wooby. The game deals with an island populated by teensy felt dinosaurs, which are a passion of mine.
My new text adventure is called THE ROSCOVIAN PALLADIUM and it deals with art, culture, and politics—well, it deals with the fictional politics of talking rats. It’s a rat heist in an art museum! Rats!!!
Development of my text adventures is supported by my PATREON patrons. If you like what I do, you can pledge some amount of money to send my way every time I release a game. Some Patreon folks have it set up so that you pay them every month but I don’t release a game every month so I don’t have it set up that way.
Lots of people pledge just a single American dollar per game, which means they each send me probably less than $5 a year, but none of it goes unappreciated and all of them get to view the secret Patreoneer-only Twitter feed.
At the very least you should go to my Patreon page and watch the little video I did because I am still proud of it.
Halloween is my favorite dang thing, and I try to make the most of it. There is not enough October in a year for all the spooky stuff I want to accomplish. But, with a view toward enhancing your Halloween experience, I would like to promote here some of the Weeny things I’ve produced for your enjoyment. Pretty scary, boys and girls!
or, “How to Write the Way I Write, in Inform 7”
Good afternoon. It may be the case that you have a desire to learn about how I write my text adventure computer games. There are a lot of angles to this subject, and the one I’d like to focus on here is the stage right after all that horrible “coming up with an idea” and “figuring out the story” stuff—the corpus callosum between design and implementation, getting the world to a state where the player can at least walk around and look at stuff.
I’m going to assume a basic familiarity with the Inform 7 programming environment, but if you have no idea how I7 works, you may be able to glean that basic familiarity from this post. Plus you will get to see my terrible handwriting!!!
Okay, so! First I draw a map.
- I’ve got a new game for you about cavemen; it’s called Reference and Representation: And Approach to First-Order Semantics.
- I’ve got ANOTHER new game for you about a docent; it’s called An Evening at the Ransom Woodingdean Museum House.
- The above games were supported by nice people via Patreon.
- If you haven’t checked out Clash of the Type-Ins recently, you may have missed various new episodes featuring such luminous guests as Dan Schmidt, Jason McIntosh, and Andrew Plotkin.
The first quadrennial Ryan Veeder Exposition for Good Interactive Fiction is over. Here are the results:
If you are eager to know what I’m up to at any given moment then your best shot is to follow me on Twitter. Thank you for your interest!
Only recently have I gotten around to editing and uploading a few episodes of CLASH of the TYPE-INS that Jenni and I recorded with Emily Short way back in September or something. Now they are all up, though. The episode where we play Bronze was crazy good, in my opinion: Some IF design-theoretical issues got brought up and Emily expounded on them with a cogency that Jenni’s and my antics often lack. If you listen to only one episode of our dumb podcast this year, make it Episode 10.
But you should listen to all of them! Why not?