{"id":160,"date":"2013-02-19T13:43:34","date_gmt":"2013-02-19T19:43:34","guid":{"rendered":"http:\/\/www.rcveeder.net\/blog\/?p=160"},"modified":"2014-09-23T14:56:20","modified_gmt":"2014-09-23T19:56:20","slug":"the-statue-got-me-high-supplemental-material","status":"publish","type":"post","link":"https:\/\/www.rcveeder.net\/blog\/2013\/02\/19\/the-statue-got-me-high-supplemental-material\/","title":{"rendered":"&#8220;The Statue Got Me High&#8221;: Supplemental Material"},"content":{"rendered":"<p style=\"text-align: justify;\">The other day, prolific interactive fiction critic &#8220;Peter Pears&#8221; posted <a href=\"http:\/\/ifdb.tads.org\/viewgame?id=cjsvhlsg328la8&amp;review=19634\">an excessively complimentary review<\/a>\u00a0of my IF &#8220;cover&#8221; of They Might Be Giants&#8217;s &#8220;The Statue Got Me High&#8221;. <em>[Update, September 2014: that review is not there anymore]\u00a0<\/em>In the review he called out an aspect of the game that not everybody notices, namely that I stole the plot of the game from the finale of Mozart&#8217;s\u00a0<em>Don Giovanni<\/em>.<\/p>\n<p style=\"text-align: justify;\">The rock song and the Don Juan myth both deal with statues, fire, and cosmic justice, but the similarities apparently are coincidental. A fan must have pointed them out to John Linnell after the song was released, leading him to introduce the song at a <a href=\"http:\/\/tmbw.net\/wiki\/The_Statue_Got_Me_High\">show in 1994<\/a> saying: &#8220;This song is based on the life of\u00a0Don Giovanni, which I didn&#8217;t know when I wrote the song.&#8221; Yes: The game is a ripoff of two different artists&#8217; work, and even drawing a connection between the works wasn&#8217;t my own idea.<!--more--><\/p>\n<p style=\"text-align: justify;\">I cannot communicate how satisfying it is for me to see my game received so favorably by TMBG fans <em>as well as<\/em> by\u00a0people who have no context for the interpretive aspect, and then for\u00a0<em>yet another audience<\/em> to pick up on the other &#8220;secret&#8221; inspiration for the game. That&#8217;s all the angles! The only thing left that could connect the remaining dots in the intertextual constellation would be to compile a list of all the TMBG songs referenced in the game.<\/p>\n<p style=\"text-align: justify;\">And, since this list does not seem to be forthcoming, I have decided to compile it myself:<\/p>\n<p style=\"text-align: justify;\">Chucky the chef comes to us via &#8220;Cyclops Rock&#8221; (<em>Mink Car<\/em>, 2001)\u2014&#8221;I won&#8217;t die, like Chucky won&#8217;t die.&#8221; The proximity to the line &#8220;I&#8217;m sick, like Nixon was sick&#8221; is probably the reason Chucky is a former White House chef. My Chucky has a glass eye, like the guy in the song.<\/p>\n<p style=\"text-align: justify;\">The sun streaming in the dining room window artlessly predicts the conflagration to come; the fact that it is &#8220;only a middle-sized star&#8221; quotes &#8220;Why Does The Sun Shine?&#8221; (Singer &amp; Zaret, 1959, covered by TMBG since 1993).<\/p>\n<p style=\"text-align: justify;\">The portrait in the dining room is meant to depict the &#8220;real&#8221; Don Juan, but his piercing stare comes from &#8220;No Answer&#8221; (Dial-A-Song, 2001): &#8220;In the moat of the castle was where the Duke of Something&#8217;s wife drowned \/ and the eyes in her portrait seemed to follow him around.&#8221;<\/p>\n<p style=\"text-align: justify;\">The victim of the portrait&#8217;s gaze, Garry Horrible, is of course &#8220;Mister Horrible&#8221; of &#8220;Someone Keeps Moving My Chair&#8221; (<em>Flood<\/em>, 1990). His sin will be revealed as chair theft, and indeed chairs are a weird recurring theme throughout the game. I intend to return to this theme when I eventually adapt &#8220;Someone Keeps Moving My Chair&#8221; to IF.<\/p>\n<p style=\"text-align: justify;\">The clock in the foyer is stuck at 1:56, that is to say, &#8220;Four of Two&#8221; (<em>No!<\/em>, 2002).<\/p>\n<p style=\"text-align: justify;\">Dr. Ivan Worm is &#8220;Doctor Worm&#8221; (<em>Severe Tire Damage<\/em>, 1997), although he is &#8220;a real worm&#8221; and &#8220;an actual worm&#8221; only figuratively.<\/p>\n<p style=\"text-align: justify;\">Hope Idie is &#8220;Withered Hope&#8221; (<em>The Else<\/em>, 2007). She has very little in common with the character in the song, but I at least tried to make her come across as &#8220;withered&#8221;. [ADDENDUM: Somebody other than me pointed out that she&#8217;s obviously also a reference to &#8220;Hope That I Get Old Before I Die&#8221; (<em>They Might Be Giants<\/em>, 1986) and I honestly have no idea whether that was intentional. Furthermore, she clearly recalls &#8220;Your Racist Friend&#8221; (<em>Flood<\/em>), but similarly I can&#8217;t remember whether I had that song in mind at all when I was writing the game. Whoops!]<\/p>\n<p style=\"text-align: justify;\">Captain Miles, and this is probably the biggest stretch, is &#8220;The Cap&#8217;m&#8221; (<em>The Else<\/em> again). He is engaged to Hope because they are the only two characters from the same album.<\/p>\n<p style=\"text-align: justify;\">The pool table has repeatedly been ruined by a Judy, as in &#8220;Judy Is Your Viet Nam&#8221; (<em>Join Us<\/em>, 2011).<\/p>\n<p style=\"text-align: justify;\">Miss O is &#8220;Ondine&#8221; (<em>Back to Skull<\/em>, 1994) and for once she is basically the person I imagine from the song.<\/p>\n<p style=\"text-align: justify;\">John could be any of the many Johns in TMBG&#8217;s oeuvre\u2014John Linnell, or John Flansburgh; the 1993 album <em>John Henry<\/em>;\u00a0the &#8220;John, I&#8217;ve been bad&#8221; from <em>Flood<\/em>&#8216;s &#8220;Sapphire Bullets of Pure Love&#8221; (which Garry quotes in the game!); the irredeemable Johnny of &#8220;Can&#8217;t Keep Johnny Down&#8221; (<em>Join Us<\/em>)\u2014there&#8217;s a John in &#8220;Hell Hotel&#8221; (1984 Demo Tape) whose story is similar to our John&#8217;s. But of course, John is John first and foremost because he is Don Giovanni.<\/p>\n<p style=\"text-align: justify;\">Obviously the statue is from &#8220;The Statue Got Me High&#8221;, but we find out at some point that it&#8217;s a statue of Peter Ng. The girl whose father Don Giovanni murdered was Dona Anna, which means the daughter whom John romanced must be &#8220;Ana Ng&#8221; (<em>Lincoln<\/em>, 1988).<\/p>\n<p style=\"text-align: justify;\">The planetary symbols on the cellar door are a nod to the very loose &#8220;space&#8221; theme of the <em>Apollo 18<\/em> album. The music video for &#8220;The Statue Got Me High&#8221; features John, John, and some astronauts singing and playing instruments on top of platforms labeled with images of the planets.<\/p>\n<p style=\"text-align: justify;\">&#8220;Pr\u00e9venge&#8221; is not a real kind of wine, but &#8220;Prevenge&#8221; is a real song on <em>The Spine<\/em> (2004).<\/p>\n<p style=\"text-align: justify;\">&#8220;Thunderbird&#8221; is a real kind of wine, but it is also a song on <em>The Spine<\/em>.<\/p>\n<p style=\"text-align: justify;\">I think that&#8217;s everything.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The other day, prolific interactive fiction critic &#8220;Peter Pears&#8221; posted an excessively complimentary review\u00a0of my IF &#8220;cover&#8221; of They Might Be Giants&#8217;s &#8220;The Statue Got Me High&#8221;. [Update, September 2014: that review is not there anymore]\u00a0In the review he called out an aspect of the game that not everybody notices, namely that I stole the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-160","post","type-post","status-publish","format-standard","hentry","category-video-game"],"_links":{"self":[{"href":"https:\/\/www.rcveeder.net\/blog\/wp-json\/wp\/v2\/posts\/160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rcveeder.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rcveeder.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rcveeder.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rcveeder.net\/blog\/wp-json\/wp\/v2\/comments?post=160"}],"version-history":[{"count":8,"href":"https:\/\/www.rcveeder.net\/blog\/wp-json\/wp\/v2\/posts\/160\/revisions"}],"predecessor-version":[{"id":479,"href":"https:\/\/www.rcveeder.net\/blog\/wp-json\/wp\/v2\/posts\/160\/revisions\/479"}],"wp:attachment":[{"href":"https:\/\/www.rcveeder.net\/blog\/wp-json\/wp\/v2\/media?parent=160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rcveeder.net\/blog\/wp-json\/wp\/v2\/categories?post=160"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rcveeder.net\/blog\/wp-json\/wp\/v2\/tags?post=160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}